One film(less) year #1

“Lasciate ogne speranza, voi ch’intrate”

The above sentence translates to “Abandon all hope, ye who enter here.”
That sums up my 2016 regarding film photography.

I can’t remember being so long without using film cameras and shooting film and that fact is, of course, tied down to having changed my income activity from graphic design to  photography.

Back in 2014 I was shooting and developing two rolls a day, yes, every single day!
(Those who follow this little blog know that the goal was to feed Cooking Film with experiments and examples of films/developers combinations.)

Changing my main income activity makes me shoot a loot more and to edit a lot more. My clients don’t care about the “visual poetry of film”. They care about the result and, many times, the result is not a photograph, it’s a visual product.

That is fine, those are the rules. The clients play the tune and I dance to it. I know my way around the digital tools and I have no problem in meeting the clients desire. I don’t aim to be like Paolo Roversi, or Dan Winters, or Anton Corbjin… I don’t have their talent and I’m just starting to build a name for myself and I’m already too late at it.

I know it will not be a name connected to talent but, I hope, very much connected to competence.

The bottom line is getting home too tired to even think about photography. I don’t have the mental energy to pick up a film camera. I need to reboot. My 9 to 5 is what it is but I need to find that extra bit of energy to keep shooting film.

Many of you know the following story but I’ll write it anyway because it means a lot to me and I often go back to it when I need to restart.

A few years ago I sold my Leica D-Lux 3 (amazing camera) and bought the Leica X1. It was such a bad, bad decision. I hated everything about it and instead of making me want to shoot more, it almost made me give up the whole photography thing.

Luckily I came across the work of two amazing pinhole users on Flickr (thank you Nhung and thank you Wayne). Everything changed! I discovered new possibilities and also a new camera, the Zero Image 2000.

And that was a (photographic) life changing event!

I never use the Zero on a tripod and, as you can guess, exposing for 1, 2, 3, 4, 5 seconds, hand held, can produce some pretty… abstract stuff. To me that was magical. I couldn’t care less about the results, I was enjoying the process.

In a couple of weeks I’ll take a few days off. I’m planning a little road trip with my son and I will take the Zero 2000 along.

Zero 2000 means fun, means letting light do the whole thing. Means I can just relax, enjoy and uncover/cover the pinhole from time to time.

 

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